Sometime in the last several years (my memory is mushy, call it 2005) I decided that I would no longer pose for photographs (meaning, in this case, those huddled group affairs, the "we're people at a place who can smile" sort of things). In addition, I resolved that I would no longer take posed photographs. Why? Because they are a lie.
"A lie, huh? That's pretty strong, there, Josh. Aren't you being a little too acerbic?"
No, imaginary counterpoint, I'm not. (And big ups for using a fancy word like acerbic and not just saying asshole. You could have. You'd probably be right.)
Here's why: When we're out in public, out enjoying ourselves, we're in a groove, a moment of pure us-ness. When you ask us to pose for a photograph, we are taken out of that rhythm of honesty and forced to enact a fraud, namely that we're all smiling and huddled together at some point, primped for a camera. The camera, a stand-in for a narrative eye if there ever was one, acts on the behalf of others, depicting a view they've missed but that is captured for them, a moment in time to be later reflected upon. The problem with posed photographs is that these moments never really happened, nor would have happened, outside the intervention of the photographer.
The real advent of this decision came via a wonderful little piece of slipshod technology: the cellphone camera. By removing the indicator of capture, that bulky Nikon, and replacing it with a clever little ubiquitous spy, one can move past the inherent feeling of being captured, of preemptive primping and breath-holding, and allow for moments in time to be cut out of the air for posterity. When you don't know you're being watched, you tend to be more honest, and honesty is so much more intriguing than artifice. Not that cellphone photos are ideal, mind you, but their method of capture sure happens to be. They may be dark, they may be grainy, they may be blurred, but they are true.
Now, this isn't to say that I can't be cajoled. I've appeared in photos that weren't purely captured moments, because, let's face it, pretty women make pouty faces that I just can't say no to. But I still refuse to cooperate fully. I photobomb my own likeness, to assure the audience, though more than likely only myself, that I'm not doing this by choice. I'm acknowledging that I know this is a farce and that I'm willing to play along, but damn it, I don't have to like it. Am I accused of ruining the occasional photo? Yes. Do I give a flying fuck? Not in the slightest. It isn't my job to help you lie, dearie, so don't act so put out when I refuse to.
Here's what it comes down to, really: pictures should be capturing the truth, raw and real and revelatory. There's enough fake in the world, and enough fake-makers to populate it. Why be another one?
(A footnote, since I don't know how to make pretty looking footnotes quite yet: if you are pictured here and object, let me know and I'd be glad to replace your less than flattering photo with a different one. I have others that would work just as well.)
Well, I got a bunch of pictures taken today. Meaning I hauled around lights and props and cameras and stands and set it all up. And then I set both cameras' delay timers, slid into position, tried to look presentable, and hoped for the best.
Self-sufficiency is a mofo. Just ask that guy who tried to replicate a $5 Walmart toaster from scratch. There are some serious benefits to social interaction and large-scale economies.
With any luck, at least one of the photos will give me enough to work with. And with just a bit more luck, this place will start to feel lived in.